Write an essay about the culture differences of Saudi Arabian to South Korea.

 

write me a personal essay about the culture differences consist of two parts.

” in June 2016, i traveled from Saudi Arabian to South Korea for vacation and i have encountered several cultural differences between mine and theirs. the writing should be mainly about the Korean culture when eating and their manners where they eat by their chopstick and we eat by our hands. they eat in single plate where each one has their own plate and i used to culture where we share our plates. the way they eat where make some noise while eating while my culture each one should be eating quietly. the way the serve themselves and my way of helping older people on the table and give them some assistance like filling their cup by water.

Is there anything that comes from the ancient story that helps frame the contemporary experience in some way, psychologically, sociologically, and pedagogically?

Demeter and Persephone, The Second Generation of the Greek Pantheon: The Birth of the Titans, a Tahitian tale about the Cosmic Egg, or Aphrodite and Ares (aunt and nephew)

and relate them to personal experiences you have had, or that you know about from watching television, reading magazines, etc. What might the ancient story be telling us about that contemporary experience?

Is there anything that comes from the ancient story that helps frame the contemporary experience in some way, psychologically, sociologically, and pedagogically?

summarize these articles: Safran, William. “Diasporas in Modern Societies: Myths of Homeland and Return.”

summarize these articles:

Safran, William. “Diasporas in Modern Societies: Myths of Homeland and Return.” Diaspora: A Journal of Transnational Studies 1, no. 1 (1991): 83–99.

Butler, Kim D. “Defining Diaspora, Refining a Discourse.” Diaspora: A Journal of Transnational Studies 10, no. 2 (2001): 189–219.

Palmer, Colin A. “Defining and Studying the Modern African Diaspora.” The Journal of Negro History 85, no. 1/2 (2000): 27–32.

Gomez Chapters 1 and 2

Isaac, Benjamin. “Proto-Racism in Graeco-Roman Antiquity.” World Archaeology 38, no. 1 (2006): 32–47.

Snowden Jr, F. M. “Misconceptions about African Blacks in the Ancient Mediterranean World: Specialists and Afrocentrists.” Arion 4, no. 3 (1997): 28–50.

Gomez Chapter 3

Lewis, Bernard. Race and Slavery in the Middle East: An Historical Enquiry. New York: Oxford University Press, 1990. 3-61

Why is it that daydreaming is more common in some people than others?

Questions on Daydreaming Personal Anecdote

I examined the subject of daydreaming, its dissociative aspects as a consequence of the media that cause it and provided an example of a cousin who dissociates from real life while getting immersed in the fictional world of film or text for a while.

  1. Why do media have such a powerful impact on (especially young) people given the fact that we all consume movies, television series, and written fiction knowing that it is not real?
  1. Is it correct to assume that there are specific kinds of people who are susceptible to

daydreaming?

  1. If yes, why these particular people and what can be done to help them?
  2. Are there associations between daydreaming and our construction of reality as we go about day-to-day activities?
  1. Why is it that daydreaming is more common in some people than others?
  2. Is there a potentially permanent impact of daydreaming, especially a negative one, given the fact that it causes dissociative behavior among young people?
  1. What are some of the challenges that a person such as my cousin may face in trying to handle daydreaming?

 

  1. Is it possible for one to use the creative benefits of daydreaming consistently and sustainably with its dangers being so common and hard to deal with?
  1. Why is it that people do not seem to realize the impact of daydreaming on their behavior even after they “come back” to reality?
  1. Would be correct to argue that some forms of media are more powerful at leading to both daydreaming and its dissociative impact?
  1. If yes, what can be done to reduce the harmful impacts of these media?

In “The Richard Mutt Case” Marcel Duchamp mounts a defense of his 1917 work Fountain. After outlining that defense, explain what it reveals about Duchamp’s priorities as an artist: what does he value? why is this important?

In “The Richard Mutt Case” Marcel Duchamp mounts a defense of his 1917 work Fountain. After outlining that defense, explain what it reveals about Duchamp’s priorities as an artist: what does he value? why is this important? Finally, how does this text help us better understand the object?

 

Richard Mutt Case: Marcel Duchamp, “The Richard Mutt Case,” in Art in Theory 1900-2000, eds. Charles Harrison and Paul Wood, 252

Question: : Wilson’s postwar novel gives us the characters Tom and Betsy Rath. From the pages you read, how would you describe this pair? What do they value? What do you think they represent? Next, put them in dialogue with a work by or featuring Jackson Pollock from class. How could we discuss the Raths and Pollock in relation to one another? In other words, how do the Raths help us understand the radicality (or lack thereof) of Pollock?

Novel: Sloan Wilson, The Man in the Gray Flannel Suit (1955), 1-30

The aim of these papers is to give you practice in situating works of art in their historical contexts and/or within the larger field of art history. What can the ambitions of an artist—as outlined in an artist statement— or the responses of critics—as articulated in a review—tell us about the priorities or values of a particular historical moment; and then how can we deploy that information in offering our own accounts of what is happening in a week of art? How can we assess the work of scholars who came before us and then position our thought in relation to theirs?