Write a critique in which you determine whether Mad Max: Fury Road belongs to the genre of the post 9/11 apocalypse film, as outlined by Leggatt.

Write a critique in which you determine whether Mad Max: Fury Road belongs to the genre of the post 9/11 apocalypse film, as outlined by Leggatt.

in particular, to Leggatt’s claim that post 9/11 apocalypse films respond to a “cultural pessimism”; does Mad Max: Fury Road have a similarly pessimistic view of the future?