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A biography about Bugsy Siegel. Start by giving the name and why you are writing about him. Then go into birth, background, and why he drifted into crime.

Reconstruct the history of Neve Tzedek how it was formed and how it is currently. Talk about things that you can do in the neighborhood Talk about any important landmarks in Neve Tzedek.

What is your research question? (the latest, most clear version of your question) (10 pts.)

3. According to your research question, what are your variables? (Just name the variables you will be manipulating AND/OR measuring in your study).
(You may have more or less variables depending on your proposed study, add lines if needed, delete lines if needed.)

4. Name and categorize your variables as manipulated or measured (same as above but add whether they are manipulated or measured according to your proposed method).

5. After you measure the variables, what data will you have, write the data for each variable. EXAMPLE: Variable: Depression: Data: Answers to the BDI (Beck Depression Inventory)

6. How will you know that the data in your study supports/does not support your hypothesis or answers your question? (In one or two sentences max.) (6 pt.)

7. What should future research in your topic should look at? Add questions that are still unanswered or other research questions that you would like to pursue based on what your study might show or what you learned from the literature.

iolence in social science literature takes different forms (eg. induced processes of dispossession, exploitation, poverty, discrimination). In this sense, instability (threats to elite power and the prevalent system) could be seen as a response to those forms of violence that have been perpetuated through the post-colonial system of elite democracy that you describe. There is a danger otherwise that some would think you are identifying ‘instability’ as the problem, whereas from what you discuss it becomes clear that it is other forms of post-colonial violence that have led to threats of different kinds to the prevalent system.

Compare, Kandinsky, Panel for Edwin R. Campbell No. 4 (Ch. 26, 26.7) and Braque, Violin and Pitcher (Ch. 27, fig. 27.5). Which is more “abstract” in your opinion? What are some similarities and differences in the forms of these works? What are some past styles that may have influenced or interested these artists, in your opinion (if any)?